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Feb 07 2010

What Don DeLillo’s Books Tell Him [Wall Street Journal]

The Wall Street Journal recently published a fascinating (and rare) interview with author Don DeLillo. The short article is definitely worth a read. DeLillo “talks about his Catholic roots and the inspiration for his new book.”

His new book sounds fittingly, um, psycho.

Some excerpts from the WSJ story:

His new book, he says, was inspired by a film he saw at the Museum of Modern Art.

“Point Omega” opens with a long, disorienting scene in a dark gallery, where a man watches “Psycho” in slow motion. The narrative jumps abruptly to the California desert, and centers on a filmmaker, Jim Finley, who pitches a documentary film project to Richard Elster, a 73-year-old scholar who served as an adviser to strategists planning the Iraq war. Finley wants to shoot a single-take interview in which Elster reveals his role in the conflict. Their intellectual tug-of-war takes an abrupt turn with the arrival and mysterious disappearance of Elster’s daughter.

Mr. DeLillo says the idea for “Point Omega” struck him in 2006, when he wandered into a MoMA gallery and saw “24 Hour Psycho,” an experimental work by the Scottish video artist Douglas Gordon, who slowed down Alfred Hitchcock’s film to last 24 hours. Mr. DeLillo says he returned to the exhibit three times.

[Get a taste of “24 Hour Psycho” with a clip at Biblioklept]

[Link to WSJ Article]

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Jan 24 2010

The Rural Alberta Advantage — “Sleep All Day” (Luxury Wafers Sessions)

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“Sleep All Day” — By The Rural Alberta Advantage

[Previous Post]

[RAA Daytrotter Session]

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Jan 21 2010
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Lifter Puller — “The Pirate And The Penpal”

It’s no secret that Craig Finn (Hold Steady, Ex-Lifter Puller) is a gifted lyricist, but he really outdoes himself with the darkly hilarious lyrics to “The Pirate And The Penpal.” Over guitar parts that recall Pavement, Finn paints a strangely vivid portrait of a teen misfit who develops a desperate crush on her penpal, an inmate. 

You spent the summer at the strawberry stand
There wasn’t much that you could do about it
You’re 15 and you’re 6 feet tall
You’re flat-chested and you’re angry about it
Don’t wear those push-up pants, you’ve got enough nicknames already
I asked the postmaster, he said penpals really can’t be going steady

Told her all about the tighten up
The way they used to dance down in Houston, Texas
Her favorite song is still “Forget the Swan”
It gives her hope when those guitars kick in

All the money from the strawberry stand slips through your hands
‘Cause you buy too many stamps
Spend your days just waitin on the mailman
When he gets here you should ask him for a dance
Don’t listen to the whispers of the kitchen knife, the bathtub and the rain
Yeah so he’s a criminal
At least you know he loves you for your brain …

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Jan 17 2010
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“Plainclothes Man” — By Heatmiser

The Portland, Ore., band Heatmiser was Elliott Smith’s band before his solo career. Heatmiser had more of a full-band rock sound than Smith’s later work, although the song “Plainclothes Man” is probably one of the closest musically and lyrically to the some of Smith’s solo work.

Someone takes a photograph
A picture while their sweetheart laughs
A perfect moment in a flash of light
Counting back from three till one
That’s exactly what you’ve done

And I’m so
Unsurprised
I remember, I remember why I dream in black and white …

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Jan 16 2010
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Jan 15 2010

Mason Jennings — ‘Sing Out’ (Live on 89.3 The Current)

My other favorite song from the new album.

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Jan 14 2010
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“Taking Down The Tree” — By Low

Low keeps it short and sweet with a wonderfully sad bastard song to mark the end of the holiday season.

“Another broken reindeer, another candle … Another velvet ribbon, another nosebleed.”

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Jan 12 2010

Mason Jennings — ‘The Field’ (Live on 89.3 The Current)

Jennings released his latest album “Blood of Man” in September, and I might have missed it entirely if I wasn’t on The Current e-mail newsletter list, which had a link to some great live performances that Jennings recorded with the MN public radio station.

Following in the footsteps of Dylan, his most obvious influence, Jennings departs a bit from his acoustic singer/songwriter sound, plugs in the electric guitar and writes at least one killer protest song in “The Field,” just one of the songs from the album that has been playing on repeat in my head.

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Jan 11 2010
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“The Ice Of Boston” — By The Dismemberment Plan

The perfect soundtrack to New Year’s Eve, posted 12 days after the fact …

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